Video editors do not get hired on tool lists. Studios and creators hire you on output: how many videos per month, what genres, what retention numbers. This template helps you put your editing record on paper without falling into 'creative storyteller' cliches.
Copy these as starting points and swap in your own numbers.
2024–2025 estimates. Wide ranges by experience and seniority.
Not for entry-level. But if you want brand work, ad campaigns or creator channels with motion graphics, AE becomes a must. Without it you will price 30 to 40% below peers.
Build a private showreel for live calls, or get permission to publish a 30-second clip. Always note your specific role, since teams can be large and credit is unclear.
Creators pay for speed and consistent series quality, agencies pay for craft and polish. Creator workflows are technically simpler but volume-heavy at 4 to 5 videos per week.
Shorts pay fast and bring volume. Longform builds craft and rate. Strong editors keep both tracks in the portfolio rather than choosing one.
Price per video, not per hour. Average your typical edit time and benchmark to market rates for that format. Quote in USD or EUR and lock review deadlines in the contract.